<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Goldovsky, Boris</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Some medical matters in operatic literature</style></title><secondary-title><style face="normal" font="default" size="100%">Cleveland Clinic Journal of Medicine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1986</style></year><pub-dates><date><style  face="normal" font="default" size="100%">1986-03-20 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">39-43</style></pages><volume><style face="normal" font="default" size="100%">53</style></volume><issue><style face="normal" font="default" size="100%">1</style></issue><abstract><style  face="normal" font="default" size="100%">This special interest article describes medical material in operatic literature by providing various examples and historical background that focuses on the diverse interpretations of the role of the medical practitioner throughout the history of opera, and highlights the changes in concepts in the practice of medicine from medieval to modern times. Orchestral techniques that mimic some physiological functions are also discussed.</style></abstract></record></records></xml>